1747-1807 French Joseph Benoit Suvee Gallery   Related Paintings of Joseph Benoit Suvee :. | Forest Clearing | The Muse Terpsichore | Three Boys in Zouave Costume | Mountain View | The Past |
Related Artists:
Evaristo Baschenis
1617-1677 Italian Evaristo Baschenis Galleries Italian painter. He came from a family of painters originally from Averara, Lombardy, but with different branches active in the provinces of Bergamo and Trentino, mostly specializing in fresco decoration of churches. He probably started working within the same regional tradition but soon came to specialize in still-lifes and moved beyond his familys limited and provincial style to create a richer and more complex art.
Auguste Borget
Auguste Borget (1808-1877) was a French artist who is best known for his drawings and prints of exotic places, in particular China. He was born in 1808 in Issoudun, Indre. At age 21, he went to Paris where he became a close friend of Honore de Balzac. Borget periodically exhibited at the Paris Salon from 1836 to 1859. Beginning in 1836, he traveled through North and South America before stopping briefly in Honolulu in May, 1838, on board the ship "Psyche", on a world tour. He went to Canton in September 1838 and stayed in the region for 10 months. While in Canton, he met the English artist George Chinnery, and they went on sketching trips together. In July 1839 he visited Manila, Singapore and Calcutta. In 1840 he traveled widely in India, returning to Paris in the summer of that year. Borgetes sketches and watercolors from China were the basis for his most famous publication "Sketches of China and the Chinese", published in 1842. His book "La Chine ouverte" was illustrated with fine woodcut engravings. A major Salon of his original works, including watercolors and boldly executed oil paintings was held in Paris in 1843. Borget died in 1877.
Crane, Walter
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.